Στο Μαύρο Βρίσκω Λησμονιά - Various - Απαγορευμένα Ρεμπέτικα Νο 3
Label: EMI - 7243 4 80040 2 4 • Format: CD Compilation • Country: Greece • Genre: Folk, World, & Country • Style: Rebetiko
Censorship and Rebetiko Inthe 4th of August Regime under Ioannis Metaxas was established and with it, the onset of censorship. Some of the subject matter of rebetiko songs was now considered disreputable and unacceptable. During this period, when the Metaxas dictatorship subjected all song lyrics to censorship, song composers would rewrite lyrics, or practice self-censorship before submitting lyrics for approval.
The music itself was not subject to censorship, although proclamations were made recommending the "europeanisation" of the regarded outcoming Anatolian music, which led to certain radio stations banning "amanedes" ini.
This was, however, not bouzouki music. The amanedes were perhaps the most pointedly oriental kind of songs in the Greek repertoire of the time. References to drugs and other criminal or disreputable activities now vanished from recordings made in Greek studios, to reappear briefly in the first recordings made at the resumption of recording activity in In the United States, however, a flourishing Greek musical production continued, with song lyrics apparently unaffected by censorship, see below although, strangely, the bouzouki continued to be rare on American recordings until 1.000 Kilómetros De Amor - Divina Gloria - Desnudita Es Mejor WWII wikipedia The womb of rebetika was the jail and the hash den.
It was there that the early rebetes created their songs. They sang in quiet, hoarse voices, unforced, one after the other, each singer adding a verse which often bore no relation to the previous verse, and a song often went on for hours. There was no refrain, and the melody was simple and easy. One rebetis accompanied the singer with a bouzouki or a baglamas a smaller version of the bouzouki, very portable, easy to make in prison and easy to hide from the policeand perhaps another, moved by the music, would get up and dance.
The early rebetika songs, particularly the love songs, were based on Greek folk songs and the songs of the Greeks of Smyrna and Στο Μαύρο Βρίσκω Λησμονιά - Various - Απαγορευμένα Ρεμπέτικα Νο 3. Dimitris Arapakis - Memetis Hasiklis Antonis Ntalgkas - Stous Apano Mahalades Roza Eskenazu - Eimai Prezakias Antonis Ntalgkas - Oi Neoi Hasiklides Rita Ampatzi - Nea Meraklou Euaggelos Sofroniou - Manolis Hasiklis Roza Eskenazu - Ginomai Antras Markos Vamvakaris - Kaftone Stauro Kaftone Giorgos Mpatis - O Mpoufetzis Markos Vamvakaris - Mastouras Register Login.
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